Phil Burney asked:


The term “Martial Arts Supplies” encompasses a host of things that a martial artist may need to become a full-fledged martial artist. It may mean uniforms for the various martial arts that exist, sparring and training gear, weapons, and exercise equipment, among others. So long as it is used so you become more proficient at martial arts, that thing qualifies to be part of the Martial Arts Supplies category.

But how do you look for a reliable Martial Arts Supplies retailer? One way is to simply encode the search phrase “Martial Arts Supplies” into your search box and wait for names of ecommerce sites to crop up. You can also get your Martial Arts Supplies from your martial arts school, which may either have a contractor who provides such Martial Arts Supplies that their students need, or which may sell the Martial Arts Supplies as part of their martial arts business.

A third way to secure the right type of Martial Arts Supplies is to contact martial arts federations and ask them where they get their Martial Arts Supplies.

When you are getting Martial Arts Supplies like uniforms, you first have to specify what martial arts you are pursuing to the supplier. You also have to indicate at what stage in the martial arts field you are already in. This means that uniforms are generally classified as Student Uniforms, Lightweight Uniforms, Middleweight, and Heavyweight Uniforms (though some uniforms under a certain martial arts may subdivide their uniforms further into other sub-categories.)

Intimate Martial Arts Supplies like mouth/teeth protectors, and helmets, should never be shared among friends for hygienic reasons. It is okay for you to share your uniform with others provided it is washed before being returned to you. Another reason you should never share with others is that you might never get back your expensive Martial Arts Supplies anymore and have to scrounge around for enough cash to buy more of the same supplies afterwards.

Martial Arts Supplies like weapons are another type of personal stuff that you should never share with others – but this time, for reasons of safety. Since Martial Arts Supplies like a pair of nunchucks, or samurai swords, were made to be as real as possible, sharing them out is really a bad idea. You never know what kind of trouble other people might get into using your weapons. Treat such Martial Arts Supplies as dangerous weapons and keep them in safe secure storage. It is especially important to keep your weapons out of reach of children and teenagers.

Martial Arts Supplies like books and instructional CD-ROMs are another story though – these are the types of Martial Arts Supplies that you ought to share out with others, especially those from the same martial arts club that you belong to. It is always fun and instructional to share opinions and tips with your co-martial artists. In fact, that is part of the pleasure you will get from the field of martial arts actually. So whether you pursue martial arts purely as a weekend warrior, or with the intent of becoming an instructor yourself someday, sharing your knowledge about martial arts and Martial Arts Supplies will always benefit you too in the final analysis.



Edwin

Ted Hanulak asked:


People often argue over which martial art is the most effective martial art. Generally that goes along with whatever is most popular in pop culture at that time. There was a time that people thought Kung-Fu as the best martial art because of Bruce Lee or Karate because of Chuck Norris or now Jujutsu because of the UFC. The secret is not which martial art is best, the secret lies in how the student trains in that martial art, which ever martial art.

 

You must train realistically in order for the martial art to have any street self defense value. This means forget about stopping a strike an inch before its target. It is about striking through the target. Many martial arts training have attacks that are unrealistic. The striking distances are off, the attacks are lame at best. When you are first learning a technique you of course will practice the technique in slow motion in order to get the mechanics down. Once this occurs, the attacks must be taken to the next level. The attack must be full force. Yes, this means that if the defender makes a mistake, he will get hit hard and possibly hurt. This is the best way to practice. You get a legitimate feel for being attacked for real. If you are worried about getting hurt in training then you shouldn’t be studying a martial art for self defense.

 

Now insert which ever martial art you like. There are advantages to ground fighting, kicking, throwing, etc. This is where the uniqueness of each martial art comes in. But the attacks will be the same. The attacks should be like street attacks. We should not tailor the attacks to compliment each martial art style. That is a mistake. Remember, it is not the martial art itself that is best but how the martial artist trains in that system.



Joe

Phil Burney asked:


The first and last thing you need to remember about martial arts is that it is a field of discipline that is supposed to prepare you for combat. It is not simply a set of movements that look great to spectators. Every movement, every breath done by the martial artist is meant to accomplish something during a combat encounter. If you are ready for the idea of using your martial arts skills for combat situations, then you are ready to train and progress in martial arts.

Inasmuch as the term “Martial Arts” literally means “the art of Mars” (Mars being the god of war in Roman mythology), you should be prepared to invest in martial arts equipment to train for highly combative situations. Though some cultures frown upon women taking part in martial arts, there are other cultures that expect women to learn martial arts too – like in ancient Japan, wives of samurai warriors were expected to defend the home if attacked in the absence of their husbands.

Martial arts can be subdivided as to what skills they seem to prioritize – this will tell you what types of martial arts equipment you need to use. For striking, you may need the “wooden dummy” that is used as Chinese martial arts equipment – this type of Chinese martial arts equipment tries to train your mind to anticipate where angles of attack would come from. For kicking sports like Taekwondo, the necessary martial arts equipment to use would be a mouth-guard and a head-guard (for both male and female jins or fighters.) Male jins need other martial arts equipment like a crotch guard or sport cup so that their groin is not exposed to injury. Chest protectors are standard martial arts equipment for amateur matches and Olympic-level matches. However, in real life you should expect such protective martial arts equipment to be absent so some sparring matches involve absence of any protective gear, so you get used to being in real-life combat situations.

Uniforms are standard martial arts equipment for nearly all martial arts nowadays. Often, you can distinguish what type of martial arts is being done based on what the fighters are wearing. But uniforms are not just pleasant to look at – since they are made of thick material, they are pretty durable so that they can withstand constant strikes and friction during combat situations. Uniforms nowadays are also made of breathable material like thick cotton so that fighters don’t overheat or feel too uncomfortable in the heat of a match.

Since martial arts were developed for combat, often fighters or martial artists might be members of the military. In the Western context then, it may be necessary to have access to important martial arts equipment such as strength training equipment. Though in the past, the weight of your opponent may have been enough to workout with, nowadays many martial arts recognize that strength training is quite important too. So if you can find a way to buy your own gym equipment (as your investment into necessary martial arts equipment) or at least rent them by the hour, that would help you develop strength and power for your matches.

In many Chinese martial arts, there are other forms of martial arts equipment that Western martial arts do not require. Some Chinese disciplines will require you to break wooden blocks or planks with your fist. This simple yet staple among Chinese martial arts equipment tests your power, focus, and ability to marshal your chi (energy) into your fist where it meets the wood. Another type of necessary martial arts equipment for the Chinese martial arts would be concrete blocks. Some instructors may ask you to break these concrete blocks with your fist, feet, or even your head.

As you can see, the Chinese martial arts require a different set of martial arts equipment compared to the Western type of martial arts. Do invest in the type of martial arts equipment appropriate for your discipline. Martial arts equipment will help you be a stronger, better and more confident fighter in the end.



Judy

martial arts london ON asked:


 

The Benefits of Tai Chi and Internal Martial Arts for Self-defense: Part 1 of 2

Internal Martial arts such as Tai Chi, or Ba Gua can be extremely effective for self defense if trained correctly. There are a few strategic principles in Chinese internal Martial Arts that can provide a tactical advantage in melee combat. I will outline them in the following sections: Body Alignment and Changing, Friction and Sensitivity, Timing, Initiative (these last two I will explain in part two of this article). You will notice there is no magic to any of this – it is all science. For more information on tai chi, self-defence and kung fu please visit Martial Arts London Ontario (MALO).

Body Alignment / Posture and Body Changing

The first thing about internal chinese martial arts like Tai Chi and Ba Gua is that they are based off of the chinese system of medicine. This system has been well aware of things that chiropractors and sports physiotherapists are just starting to learn about the human nervous system and spinal cord, meditative benefits, and muscle/tendon functional excellence. Like gymnasts and dancers, internal arts practitioners do difficult and challenging exercises, drills, and forms in order to literally change their body’s metabolism, balance, structure, tendon strength, speed and flexibility. The more serious one is with their body changing training, the more results they will see. Doing Tai Chi once per week without the requisite secrets is not good enough. At first this training is extremely difficult, just as jogging is extremely difficult for the beginner. But after years of practice, the internal martial artist’s body starts to change, and they start to see the health and martial benefits as they begin to move as a functional unit and cease using “awkward force”. They also get damaged less often in hard martial arts sparring. This body changing also includes tendon conditioning, thus making an internal artist “seem” stronger as they move as a more functional unit. Tendons are as strong as steel. If you can learn to use them, and to strengthen them, then you will move as a more functional and solid (yet fluid) unit.

Friction and Sensitivity

Another key aspect in internal arts like Tai Chi, or Ba Gua (Cheng Sher and Magui), is friction, or what is sometimes called sticky hands. With this body changing, and two person “push”, “search”, or “sticky” hands practice, practitioners become more sensitive to the movements of others, and by using this sensitivity, internal martial artists can use a foe’s force against them by placing them off balance. And by using friction, the practitioner can deliver more kinetic energy per second than a straight punch. All boxers know that more friction means more damage, so too does this apply to throws and arm drags. The more friction when throwing an opponent, the more kinetic energy you deliver into them, the faster they hit the ground. Also, using friction properly



Edith

some guy asked:


There is no best art, only a practitioner, every one has their preferences.SO what martial art do you find works best for YOU? If you cross train please tell me what combination of arts you think work best for you. Please only people who train in arts, not a person behind the computer saying muay thai, BJJ, and wrestling because it works in the UFC. Thanks.
clowns you contribute alot to Y!A MA community but are you sure you practice Tae Kwan Do? you seemed to have spelled it wrong, or is it a typo?
Edit: clowns I am an on and off martial artist some martial arts I have taken a few classes in but can’t say are my arts are Kyokushin karate, Tae kwan do, and Judo. I have trained for 1 and 3/4 year muay thai 1/2 year mma, and 2 months bjj. I also took Krav Maga for 3 months but you can say I don’t have that much experiene compared to others on th MA Y!A board.
Oops meant to say experience*

Stephanie

Henry Ellis asked:


Is Aikido a Martial Art?

Sensei Henry Ellis – 2001

Co-author of Positive Aikido.

PART 1

At first sight of the above title I am sure that a lot of Aikidoist’s will be angry, they will assume that this is yet another attack on the credibility of Aikido by other martial artist’s.

On this occasion they are totally wrong, I have been a student of Aikido since 1957, In those early days I first started Judo in 1956 at the Kenshiro Abbe School of Budo, I studied Karate with Harada Sensei and Kendo with Tomio O’Tani Sensei, so with my background I feel that I have something to offer to this debate.

First Impressions

The Aikido that I first saw being demonstrated by Abbe Sensei in 1956 was without doubt a positive martial art.

I was immediately impressed by its positive techniques and power, and in those days my fellow martial artists and I were in no doubt that we were witnessing a devastating new form of self-defence as demonstrated by Kenshiro Abbe Sensei.

Abbe Sensei had begun his martial arts career at the age of five and became a legend in his own lifetime. At eighteen he was the youngest ever all Japan Judo champion and also the youngest ever 5th Dan at the world renowned Kodokan. He later became the oldest ever all Japan Judo champion at the age of thirty three.

When Abbe Sensei arrived in the UK in 1955 he was 8th Dan Judo, 6th Dan Karate, 6th Dan Kendo, 6th Dan Kyudo, 6th Dan Aikido,

the question must be asked; would this Budo master have studied Aikido if he did not believe it to be a martial art?

It is my opinion that Abbe Sensei would not have studied Aikido as it is today.

Please break my finger

As a direct student of Abbe Sensei I asked one day whilst we were traveling to a seminar

"Sensei, how did you first become a student of O’Sensei and Aikido"?

He smiled as he reminisced for a few moments; then told me the following story:

He said that he was a young man at the time and the Judo champion of all Japan and traveling on a crowded train across Japan to yet another Judo competion.

Sitting opposite him in the same carriage was an old man who was trying to make some conversation with him, Abbe had his eyes closed as he tried to sleep.

The old man said to him " I know who you are" Abbe Sensei replied rather modestly " everyone knows who I am, I am Kenshiro Abbe champion of all Japan" he politely asked the old man who he was, the old man replied

"I am Morihei Ueshiba founder of Aikido" Abbe Sensei nodded politely and suggested that they now try to get some sleep, the old man suddenly stuck his hand forward and offered the smallest digit to this powerfully built young man, Abbe was stunned as the old man said "

please break my finger" Abbe thought I will break his neck if he doesn’t go to sleep, he was now becoming irritated by this old man, he immediately grasped the old mans finger in an attempt to shut him up, he freely admitted that in his frustration it was his intention to break the offending digit. To his total amazement he was suddenly slammed onto the carriage floor. As he lay prostrate and unable to move he knew he had to study with this master. He asked O’Sensei if he could study with him, O’Sensei agreed and Abbe stayed with O’Sensei for ten years.

O’Sensei had spent many years studying various martial arts, I believe that the art of Daito-ryu and Ju-jitsu had more influence on the development of Aikido than anything else he had studied, and we know he went to Mongolia to fight and this would be the perfect opportunity to test his many skills in a real situation, so we can be in no doubt that this incredible man was a true warrior and modern Samurai.

A knife for my enemy

It was this early positive style of Aikido that Abbe Sensei brought to the UK in 1955, at this time there was also the first Japanese master to Europe, this was Tadashi Abe Sensei 6th Dan who was based in France, he was a small man even by Japanese standards, but to my mind he was the hardest man I have ever met.

He was very similar to Kazuo Chiba Sensei who I met with in London’s West End last week, When he traveled he always carried a knife with him, this was not for his own protection but to hand to his shocked opponent, he would say "please, this is for you".

He said that an opponent with his bare fists was no challenge, but a man with a knife was "very interesting".

I think we can safely assume that as these teachers were so hard and positive then this must have been the style of Aikido that was being taught at the Hombu dojo in Japan, this was the Aikido of O’Sensei as a young man, the Aikido being taught today is that of O’Sensei as an old man, there is no doubt that as people get older they lose the spirit of their youth and become more philosophical in their approach to life.

My father who was once regarded as the toughest man in town later in life found his peace taking his dog for long walks. I believe that we now have two aikido’s, traditional aikido which if truly traditional (this word is much abused) is the martial side of Aikido, the soft fantasy and dancing style of Aikido should simply be categorized as an "Art".

Those who are true traditional Aikidoists will take no offence at this article, yet the dancers will probably be offended and I care little for their feelings as I honestly believe that this soft Aikido has no more right to call itself a martial art than has synchronized swimming has a right to be in the Olympics.

——————————————————————————–

PART 2

In my previous article, I attempted to establish the hard style of Aikido that was first introduced to the West in the 1950’s. I would like to emphasize the fact that I get no satisfaction from publicly criticizing Aikido and I get a great deal less satisfaction when I see Aikido being brought into ridicule.

To continue from part one…..

Hard training

The training in and exercises in those early days were very hard and physical, with karate style kicking and punching a very integral part of our warm up, followed by 200 press ups on the backs of the wrists, with fingers pointing both inwards and outwards, very often while you were in the raised position Abbe Sensei would instruct another student to sit on your back, as we were the only group of five Dan grades in the UK and all in the same dojo then this was the training in all the Aikido dojos in the UK and today we are the only organization in Aikido still doing these press ups.

The purists say "these press ups are bad for you" what they really mean is they can’t do them, this is all part of the watering down of traditional Aikido.

Choreography

Aikidoists are often accused of practicing " Choreographed Aikido" and to be honest I must admit that these claims are very often justified, with Uke (attacker) preparing to break fall long before he makes his attack, and most of them attack off balance , therefore making any multiples of techniques possible with the minimum of effort and of course this makes Tori (defender) look "fantastic".

What is really sad is that these people believe that this is good Aikido.

Kenshiro Abbe Sensei would always say to us that "two" students are training at the same time, one is Uke who is learning and improving his attacking techniques and his

opponent Tori is also learning and improving his defensive techniques, whilst we were training with Abbe Sensei if Uke’s foot or heel came off the mat as he attacked Abbe Sensei would give the offending leg a good whack with a shinai (bamboo sword) he would then say " My English is very bad but my shinai speaks fluently!".

If Uke attacks on balance then it is obvious that Tori’s technique must be good and strong to throw him, and as Abbe Sensei said so many times " two students are training" .

Mark Eastman a strong young Dan grade with me went on a seminar recently where there was a 6th Dan. The 6th Dan refused to use him as Uke stating " I can not use you as you do not harmonize with me", he was not being awkward or difficult just attacking on balance.

Diluted training

Today all of these traditional exercises and training methods have now changed to a simple warm up routine with jumping up and down on the spot and lots of deep spiritual discussion.

Hard exercise is now considered to be aggressive and not in harmony with the true spirit of Aikido.

Abbe Sensei said that hard training developed the spirit, he also referred to Ki during those early days as he demonstrated the power of his technique, when asked to explain the meaning of Ki, he said not to worry about Ki as that would be a part of our training and development.

He then said "Only when you reach first Dan will you be able to understand the true concept of Ki as a further extension of your Aikido."

I still believe that line of thought, and the instructors in our dojo’s very rarely speak of Ki although it is taught as a important and integral part of our training and study.

Ki Aikido

Although Ki is generally recognized as the spirit and breathing during the application of technique, every teacher and student will offer a very wide and varied and sometimes bizarre interpretation of the meaning of this much abused word.

The main problems arise and are created by the teachers themselves, who very often mislead their students to the extent that they almost believe that Ki is a form of magic. The following is one prime example from a very prominent Aikido magazines letters section.

Title: The Spirit of Protection

I am a carpenter and 2nd kyu in Aikido. I was working in a large new home doing repair work, I had finished my job and was heading for a long staircase when I noticed the owners two year old son was heading for the same stairs from the opposite direction.

As he approached the top of the stair he was watching me and not where he was going. I was too far away to grab him, so I shot to him (irimi) and stuck my arm straight out to him, my "Ki" went through the little boys’ face and out the back of his head, he fell backwards and started crying.

His mother heard the crying and came up the stairs, when I told her what had happened, she thanked me,

I said "Don’t thank me, Thank Aikido".

That poor child may well now be as disturbed as the writer.

Harry Potter Ryu

There are many such misguided examples which I will refer to in future articles, it is this kind of nonsense that brings Aikidos credibility into doubt I am fully aware that every martial art has its own version of " Harry Potter" in their ranks, what I fail to understand is that there are more of them in Aikido than all the other martial arts combined.

The reason that I am so critical and vociferous about Aikido is that every day I see these people watering down this great martial art that I have spent most of my life studying, teaching and promoting for the past 46 years. I am often asked "Sensei, which do you think is the best and worst martial art".

I always make the same reply " All the martial arts are good, if there is a problem with any martial art, then it can only be the people who represent that particular art who misrepresent their art

——————————————————————————–

PART 3

The Converted

In articles parts one and two I have covered the introduction of Aikido to the West, and the impact on other Martial Artists, Aikido progressed and developed in the UK by visiting existing dojos of all the various Martial Arts and offering to demonstrate and teach for free in the hope of starting a small class in the more receptive dojos, as one can imagine this was no easy task as more often than not our efforts were not an open invitation to most dojos.

In the end the positive style of the early Aikido won through, and this is a very important point to make in the early development of Western Aikido was that most of the new students of Aikido were from other Martial Arts. I do not believe that we could have converted other Martial Artists to Aikido had it not been so strong and effective.

Bad breath!

I have referred to the many changes in Aikido over the past 46 years from its history to training and choreography and Ki Aikido and also the many Harry Potters of the Aikido world, as a direct result of these articles I was contacted by a Aikido student in the UK to tell me that she had now stopped training in Aikido because her teacher stated that he was now going to teach the students "To breath through their toes".

Lets Dance

The most important of all the changes that have taken place in the past 46 years have to be the changes in technique and its application, the early style of Aikido was very compact and powerful. From the day of its introduction to the UK, Aikido was always taught as a circular moving Martial Art with Tori at the centre of all movement.

As Uke (the attacker) made his attack, Tori would turn within his own circle making it possible to carry out the technique in a very small area of maybe four square feet. Today the fantasy aikidoist need a football pitch.

I have seen some so called "masters" twirling Uke around on the end of one finger and pirouetting several times before being thrown the full length of the mat.

Harmonising

Kenshiro Abbe Sensei always taught that Uke would only "go" if the technique was effective. I often hear and have seen some of these people who say they can throw an opponent without touching them, sometimes by breathing and projecting their "Ki". I have also had the misfortune to see very high grades with several "*attackers*" making a breakfalling attack at them, amusing? not really, as most of them really believe that the projectile uki is a serious attack.

You cannot do that if someone is attacking on balance, I have never seen anyone do that to a student of mine. Of course if you do attack on balance you will then be accused of "Not harmonizing".

Aikido for real

I have read various accounts of the first Americans to practice Aikido in the early 60’s. There were Americans practicing Aikido in the UK in the late 1950’s at "The Hut" The Abbe School of Budo.

The Americans were members of the USAF stationed in the UK. they were always questioning " How would that work in the street?" and we would often finish up in the car park of The Hut after class and engage in some real Aikido.

Afterwards everyone would be in good spirits and have a few beers.

Sunday mornings were always the best practice sessions with the dojo doors being locked to all but the Dan grades. It was then that the Dan grades would fight each other for real. This was the only way to truly evaluate your technique.

On one occasion I was fighting with Sensei Ken Williams (The British National Coach) he hit me hard and I went down clutching my chest and moaning loudly in agony.

It was known that I didn’t go down and I never made a fuss, so now everyone was concerned for me and as Sensei Williams leaned over me asking "Harry, are you OK" I lashed out with my fist at his head, just making a glancing contact, he then stepped back and kicked me in the head putting an end to my cunning.

The smallest of all the Dan grades was Eric Dollimore, he was only about 5ft-6in in height and around 130 lbs.

I always felt that Eric was avoiding me on these Sunday morning sessions, as he was about to leave the mat I said to him "Eric, would you like to try against me" he just turned and said "Sorry Harry, I have to be at my girlfriends home for lunch". As he left the mat I smiled to myself and thought "That’s what I expected" the smugness did not last long as I heard a voice behind me say

"OK then Harry, can we make it quick as I must get away".

It was Eric; for a moment I was surprised then I thought to myself if you want it quick I will accommodate you.

I moved in to take him out with the one punch and the next thing I knew I had gone through the dojo office partition wall and I was still lying stunned the office floor when I heard Eric’s voice call out

"See you Monday Harry, gotta go".

That was a very important lesson to me, I have never underestimated anyone since the little guy taught me a lesson.

The Grading Lottery

If in the 1950’s and 60’s you saw a 5th or 6th Dan you would be in awe of him. I now see so many multi grades and to be honest they would not be graded first Dan in the old days. They make these claims knowing that if they are ever challenged and prove their mettle they know they can claim that this is against the principals of Aikido.

Another favourite of these people is to juggle around with their grades and come up with multiples of matching grades, for a prime example of this abuse check out the article British Aikido-The Controversy.

Mitsusuke Harada Sensei "5th Dan"

Harada Sensei was my Karate teacher in the 1960’s, he was then and still is a 5th Dan at the Shotokan dojo in Tokyo. he was graded by the founder of modern day Karate Gichin Funakoshi Sensei.

He taught Karate to the USAF at the Kodokan dojo after the second world war. He was graded 5th Dan by Funakoshi Sensei in 1957 and is still 5th Dan after 45 years, stating that "Any grade above 5th Dan is totally pointless".

This is exactly the feeling of Sensei Derek Eastman and myself, although we are two of the only remaining four of the original group left of Kenshiro Abbe Sensei’s group from the 1950’s, we both agreed that there were too many "Harry Potter" grades around, we then decided that like Harada Sensei we would make 5th Dan the highest level in our organization.

Serious study

I will take a break now that these articles are complete and do some serious "Toe breathing".

This will be my last article for CyberKwoon for a while, I would like to thank Master Fabien Sena for allowing me to air my views on a subject most would try to avoid.

I do not know what direction the Martial Arts will take when all the "Old Timers " are gone.

As one of the comments (to the Cyberkwoon site forum) said "We can still make a difference".

To the one who asked after my father, he was not a martial artist, just a hard man who started working at the age of 13 years two miles underground in the South Yorkshire coal mines.

Sensei Henry Ellis. 5th dan Traditional Aikido.

http://www.EllisAikido.org

http://www.geocities.com/britishaikido

http://aikidoellisvideo.magnify.net



Donna